Search

Sam van Zweden

Writer

A Month Of Reading

This month has been HECTIC. Between juggling a new role reviewing for The Big Issue, the heating-up of the Emerging Writers’ Festival and all my regular uni work, I’m really surprised that I’ve found time to read. Granted, three of the six books I’ve read this month were for one of those roles, but still…

This month I discovered that I don’t like Les Murray’s poetry, but he can write really clearly about depression. I learned that Daniel Handler still has it. I learned, again, that I should really follow up book recommendations more quickly (reading The Lover, and Raf, I love it, thanks for the recommendation! And sorry for being so slow about it.)

A few weeks ago was another Kill Your Darlings‘ literary trivia night. Our team came second, and I won second prize in the raffle, so I came home with a pretty great swag of books (and a free high tea at the Windsor!) which are listed here under “gifted” (minus the high tea).

Books Bought:
Brewer’s Dictionary of Phrase and Fable, 18th Edition.
Camera Lucida, by Roland Barthes
Voiceworks: Translate
Kill Your Darlings Issue 9

Reading Copies:
Mary Bennett, by Jennifer Paynter

Gifted:
Love & Hunger, by Charlotte Wood
A Tiger in Eden, by Chris Flynn
What Remains, by Denise Leith
Under Stones, by Bob Franklin

Borrowed:
Bite Your Tongue, by Francesca Rendle-Short

Books Read:
Daughters of Troy, by Euripides
Fire, by Raymond Carver
Why We Broke Up, by Daniel Handler and Maira Kalman
Dora: An Analysis of a Case of Hysteria, by Sigmund Freud
Killing the Black Dog, by Les Murray
Mary Bennett, by Jennifer Paynter

Currently Reading:
The Confidence Gap, by Russ Harris
Wabi Sabi Love, by Arielle Ford
The Lover, Marguerite Duras


What have you been reading this month?

Are You Ready?

I hope that when you read the title you heard me screaming at you Mike Whitney style, because that’s how it was intended. (Aw. Looked for a Youtube clip to link to all witty-like, there’s none that I could find and that’s endlessly disappointing. I am sorry.)

Anywho, with the EWF program now up you can check out all the amazing things that are in store for those very special 11 days. And start booking, ladies and gents!

AND there’s a post up on the EWF blog today which details the event I’ve been working on, Down The Rabbit Hole. There’s also details up that lots of people have been waiting on, about how to register for the event. Registrations open on the 30th, which is Monday. I know the first Queensland event sold out in ten minutes, so get in quick!

Also, our online host Patrick O’Duffy has a great post on his blog about his involvement in the Rabbit Hole and why he’s so excited!

The Toothsoup Prize Arriveth!

The amazingly driven Phill English (of toothsoup fame) last week launched a brand new prize for emerging writers.

With limited publication opportunities and paid gigs in this writing biz, The Toothsoup Prize is a fantastic opportunity for those of us trying to get a foot in the door. It will provide writers with a readership, a bit of cash, and a publishing record.

Phill was kind enough to talk to me…

SvZ: So you’ve started a prize – tell us a bit about that. Who’s it for, what kind of submissions are you looking for, and how do we get involved?
PE:  Well, it’s called the toothsoup prize (or The Toothsoup Prize, whichever format floats your boat!) and it’s intended for Australian short story writers who have an unpublished story between 1,000 and 2,000 words. I wanted to be as broad and inclusive as possible, so I tried to make the guidelines pretty open.
At the risk of sounding obvious, I’m looking for great stories! More specifically, I’d love to read stories that are original and fascinating and creative and unexpected and moving and all those great properties that the short story format is able to possess. I want to be able to return to these stories again and again and be inspired by them.
You can get involved pretty simply by submitting your short story! But if you want to share the love, more exposure via Twitter, Facebook, blog posts, interviews such as this one would be greatly appreciated. You can also contact me directly via email (phill[at]toothsoup[dot]com) if you wish to make a private donation to the kitty (like one awesome person already has).

SvZ: What will happen to the pieces that win?
PE:   Each winner will be featured on the prize’s website as a past prize winner, and I’m hoping to be able to perform an interview and a reading with the author and host them in the same space. Eventually it’d be nice to put together an anthology of winners and honourable mentions after a year or so, but that’s a little way off yet. We’ll see how the first couple of rounds pan out first!

SvZ: Why start a prize? Aren’t there plenty of opportunities for writers already?
PE:   There are certainly a lot of opportunities for writers to get published, for sure. We have a thriving literature journal culture here in Australia, both in print and online spaces. But of the competitions out there, many are either formidably large, genre-gated, or invite so many entries that it may seem to writers to be a bit like a lottery. I’m hoping that the toothsoup prize will slot into the gap between those extremes and provide writers with incentive to write great stories and give them the thrill of being in the race for a nice little cash prize.

SvZ: In this weird, unstable atmosphere with arts funding cuts and speculation around major prizes’ future, do you think private, grass-roots competitions like yours will be the way things will happen in the future?
PE:  I think there will always be major prizes for established authors, for sure. But in terms of encouraging new and up-and-coming writers, the grant system can only support so many out of the thousands of talented individuals out there. Grass-roots comps like this might help to encourage those writers to get their work out there and read by their peers.

SvZ: You launched the prize last Wednesday – what’s the response been like so far?
PE:   Well I’ve already seen three entries hit the reading pile before the weekend, and two of those three donated to the prize pool. Adding to that a private donation of $20, and the prize has already been raised to $80! I’m sure I’ll see plenty more entries rolling in over the next couple of weeks, plus the usual avalanche closer to the closing date. I cannot wait to read them all.

Thanks, Phill!

 

Oh, What Could It BE?!

I know all you Melbournites are waiting with bated breath for the online launch of the EWF program tomorrow, and fair enough. It’s exciting stuff.

On that note, a teaser went up today for the event I’ve been working on… Just to get your curiosity running WAY overtime. Oh my, what could it BE!?

Outing My Infantile Love of Tupperware

I’ve got a post over on the EWF blog today. It’s my two-month check in, reflecting on my experience so far as an intern. In it, I talk about how I’ve learned to love the humble spreadsheet, and I out my childhood love of Tupperware.

I haven’t posted much on here about my EWF experience, because my lips have to remain sealed about so much of it. Surprises! Oh, so many surprises! A lot of these surprises will be revealed on the 24th of April (that’s only a week away!) when the EWF program gets launched online. The official program launch is on the 4th of May (6.15pm, but I can’t for the life of me find an event for it anywhere?) at the Wheeler Centre, and I hope to see you there!

Opportunities a Plenty

Being involved with EWF more closely this year has opened my eyes to the amazing amount of opportunities they have available for writers, outside the festival itself. There’s a bunch of deadlines coming up, so I thought I’d just do a heads-up for anyone that might be interested in these opportunities. I’d encourage people to apply, because EWF’s a fanastically supportive atmosphere, and a wonderful starting point. Having this stuff on your resume is so helpful, and in terms of experience it’s priceless. And some of these are lucrative. Woot.

–> The Monash University Undergraduate Prize for Creative Writing. Most prizes are almost impossible for an undergraduate emerging writer to win. They either require a publication history, or a whole book, or a completed manuscript, or… a bunch of stuff a lot of undergrads just don’t have. The Monash Prize has a large bundle of money to give to its winners, it’s for previously unpublished writers (see website for specs on this), and entries are reasonably short pieces of writing. Winners are also being published as an ebook by Penguin. Entries close April 23rd.

–> Words In Winter Writer’s Residency. A two-week writing residency at “a high-profile CBD location”. The theme is a future of writing, which is a pretty hot topic at the moment. If you’re concerned with digital story-telling, blogging, ebooks, self-publishing, or anything that’s wrapped up in the idea of the “future of writing”, then apply for this residency. There’s ten spots available, and EWF’s offering a publishing opportunity post-residency. Applications close April 20th.

–> Australian Poetry’s fantastic Cafe Poets program is launching their next round as part of the EWF in May. The program puts poets in cafes as writers-in-residence, giving the poet a space to work, free coffee, and an outlet: contact with the public. Applications close April 24th.

With all these opporunities available, you’ve got no excuse not to make stuff happen. Give it a go! Entries for all these close very soon, so get writing!

A Plug

Some days I just like to plug a thing that a friend is doing because it’s damn good work.

Today, that friend is Tully Hansen, and the thing he’s doing is Reading Log. Tully has some pretty impressive technological smarts, and a solid aesthetic sensibility, and that’s resulted in a very attractive website layout. It’s based on Otlet’s Shelf, which you can read about here. At Reading Log, Tully… logs. His… reading.

In very punchy, very short reviews, Tully manages to succinctly say what I often faff about trying to say in many more words. He picks up on themes and ideas and puts them into neat, accessible reviews. Well worth having in your RSS for a two-minute (if that) piece of insight in your day.

Post Box Perks and Presents…

I’ve recently acquired a post-office box. It’s a bit of a loser box, it’s little and down the bottom and around the corner from the main row of post boxes. But it’s a PO Box! I think there’s something professional about being able to provide people with a PO Box address, and I like the forced exercise that comes from having to walk a bit to check the mail. I live above/behind a shop, and have no mail box here, so our mail always arrives late or not at all. The post box has been great for receiving things promptly and actually!

Having a bit of a shitty day yesterday, I walked up to the post office and found all sorts of presents waiting for me. There was a copy of Voiceworks (who have utterly outdone themselves – frosted dust-jacket, people!) and a review book from The Big Issue. That perked my day up considerably.

Apart from these wonderful presents, I’ve recently invested in a present for myself that I’m particularly excited about. It’s this beautiful giant:

Co-worker flicked through it and gave me a distaste-face, before asking, “How does it work?”

Oh, my friend! It works every way. The most obvious use of it is to look up phrases and fables, and be provided with the history and meaning behind said phrases and fables. However, it’s much much more than that, too. It contains famous people, pretty much every influential text you could ever think of. Under “First” there’s an entry about first lines, containing the first lines of a heap of classics and well-loved texts. Under “Last” there’s a listing of famous last words. This is an intertextual wet dream. Remember wading through The Wasteland and getting… oh, about 1% of it? Should’ve had a Brewer’s. A probable ditto for Ulysses, though I’ve never dipped into it myself.  At the risk of Super-Nerddom, I’d say this is a reference book that it’s possible to read. As Philip Pullman says in this foreword, you can easily spend hours just browsing in Brewer’s.

With my brand new Brewer’s close at hand, no reference will ever pass me by again. Ever. I will be a close-reading queen. Just so ya’ll know.

Oh, and a heads-up for anyone interested in one: the price has just recently dropped. I went to a nearby independent book-store, and found they charged $55 for it. Ordering it through work, I found the price has dropped to $39.99. A considerable difference (even more considerable with a staff discount on top). A lot of publishers seem to be panicking about the shift to online sales, and are dropping prices on some books. Brewer’s is the lucky recipient of one of these price drops, so if you want one, now’s the time!

Being Revolutionary and WTF, Qld?

Crazy mash-up post!

Strand one: I did a post on the Emerging Writers’ blog today about writing that has changed the way I think. I enjoyed writing it. Yeah, this internship is rad.

Strand two: news broke directly onto Twitter today. It was really strange, because I saw it on Twitter about an hour, maybe an hour and a half, before I could find any coverage on a reputable news source. I didn’t want to believe it. Remember cyclone Yasi? There was so many crazy rumours on Twitter then, and most of them were totally untrue. I was hoping today’s Twitter-news was too. Later in the afternoon though, Sydney Morning Herald ran an article confirming the rumours.

The news is that the new Queensland premier, Campbell Newman, has cancelled the Queensland Premier’s Literary Awards. When he was elected, he promised to change government spending and get Queensland back on track… Nobody realized that would mean scrapping the literary prize that’s given a huge leg-up and well-deserved kudos to Queensland writers (Anna Krien, Chloe Hooper, Inga Clendinnen, Markus Zusak, Nam Le, J.M Coetzee…the list goes on), and has let people all across Australia (probably all across the world?) what’s worth putting on their To-Be-Read lists. Prizes are exciting and essential. They help bring texts to the foreground that might be overshadowed. And writers don’t get paid anywhere near enough to write – prizes make writing a whole lot more possible. As mentioned in the Sydney Morning Herald article, (quoting John Birmingham), “It makes a big difference to the people who are getting [the awards], obviously, but in terms of the state budget, there’s probably bigger tough cuts that he could make, but they’re much tougher to sell”.

I’m not a Queensland writer, and I’m pissed off. I can’t imagine how writers in Queensland are feeling – their state has lost a major prize that would potentially have recognized their hard work.

Chris Currie (@furioushorses) – who is a Queenslander – on Twitter dubbed Campbell Newman a “doucheweasel” – I have nothing more to add.

Blog at WordPress.com.

Up ↑