I’ve been loving slam poetry lately.
Emilie Zoey Baker guest-lectured at uni, and her performances made me laugh, giggles wrapped up in pretty images, musical words, gestures and rhythm.
I discovered Marc Bamuthi Joseph in an essay he wrote about the need to lay claim to words. His performances are physical poetry, “poetry in motion”, as he puts it.
Then a few days ago I found Shane Koyczan. Ohhh I sit there and close my eyes and shake my head. He delivers it all so beautifully, and just when it gets so lovely and heavy it feels like it’ll break, he chucks in some hilariously true thing that has to be laughed at.
Tomorrow, along fellow RMIT-ians, we’re gathering to bury ourselves in some slam. And while watching a lot of the work of the above people I’ve wondered a little what it is that I want my work to offer.
I’ve got rhythm. I don’t rhyme though… but neither does a lot of Marc Bamuthi Joseph’s work. And why am I trying to copy someone else’s work anyway?
I’ve got pretty images and a story… There’s just so many decisions to be made, and the thought of delivering it to an audience of my peers is absolutely terrifying.
But imagine if it goes well. Imagine if I work and work and end up with the ability to perform as beautifully as Marc Bamuthi Joseph or Shane Koyczan?
Yeah. Imagine that.
02/05/2010 at 11:27 pm
I adore Shane Koyczan. He’s one of the only slam poets I’ve seen/heard who actually give me goosebumps. I listen to his CDs and even though I’ve heard them many times, I still tear up at a couple.