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Sam van Zweden

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monash prize

Penguin Specials Launch

Last night I was lucky enough to ride on the coat-tails of my more successful friends (congratulations again, Jo Day, Veronica Sullivan and Tully Hansen!) into the launch of the latest Penguin Specials range of ebooks. The launch was for a whole bunch of new shorts available in digital form. The good people at Penguin have included the shortlisted and winner of the Monash Prize as part of the Specials range, and it’s available on Amazon, Kobo, iTunes, etc etc – all the platforms. Of course, you’d expect a company the size of Penguin to be inclusive of all the relevant platforms when they publish digitally. Less expected is the fact that they’ve given this awesome opportunity to emerging writers – nice work, Penguin!

I’m starting to get used to the faces at the writing events I go to, but when I left the Moat last night I was feeling a little star-struck and small fry. The launch included readings from Sonya Hartnett (tiny! Who knew?!), Robert Drewe, and Tully Hansen. With some familiar faces, many I hadn’t met yet (like… famous people), and the sampler of the publications doing the rounds on iPads, it was a really fun night. Free wine helped. It’s also really nice to know that being published digitally doesn’t mean the publishing company won’t splash out and celebrate your awesome achievement. The writers included in this series of Penguin Specials have a lot to be proud of.

Penguin seem to have their heads screwed on about what the strengths of ebooks are with their new and upcoming releases. There’s a new imprint coming for romance books, which is a smart move – there’s a huge market there, because it allows all the things ebooks do well anyway (cheap, portable collection), but also opens up the possibility for people to read romance/erotica in public, or to read around family and friends without having reading choices scrutinized. Also, the readers I know who are into romance are pretty voracious about it, and finish one book needing to slip straight into the next one. Ebooks make this a little easier than a trip to the book store. I’m not super-excited for myself about the romance imprint, but I certainly think that Penguin are onto where the money’s at, rather than just making their entire catalogue available and hoping for the best. (Though… I think perhaps for the most part they do this anyway?)

What’s relevant for me as a writer, and for all writers of short stories, is that short stories are now being published in single volumes, per story. Portability is a great strength of eReaders, and to make short stories available for this platform plays to this strength. A short story is a great way to spend time on public transport, and unlike a novel, you can possibly finish it in one sitting. For a long time people have been mourning the lack of publishing opportunities for short stories outside of journals – collections just don’t sell the way that novels do. Hopefully this (and, of course, things like Smashwords, where many authors publish single stories) are a way for short story writers to regain those opportunities.

The Specials are available now, and for a short time the sampler (including Tully’s amazing work, and extracts from others) is available for free.

It’s Here!

Last night saw the launch of the 2012 Emerging Writers’ Festival. It was a brilliant show, complete with bum-dancing, crumping in a row-boat, chair persons almost crying while thanking Lisa for an amazing 3 year captaincy, and the incomparable Tully Hansen winning the Monash Prize. Congratulations too to Michelle Li for taking out the Monash component; ¬†we were lucky enough to hear some of her entry last night, and it was lovely.

I’d like to apologize in advance to my partner, my body, my diet, my house, my washing pile, my skin… My mum, who won’t hear from me for a few weeks… My final assessment for not getting the attention it needed pre-festival and now will be completed in an exhaustion fug… If last night was any indicator at all, by the end of these eleven days, I’m going to be so happy, but incredibly tired, too.

As I tweeted late last night – my life right now? Fuck yeah! Sometimes everything just comes up aces, and that’s exactly what’s happening right now. Good one, life!

Today I’ll be working at the Business of Being a Writer Masterclass, and meeting a heap of brilliant people no doubt at the artists’ party this evening. I will never stop being astounded by how many great people are involved in the festival.

Yeah, and this is just day 2. Imagine how gushy this is going to get by the end of the festival! #loveattack

Monash Prize Shortlist Announced

The Monash University Undergraduate Prize for Creative Writing is kind of a big deal. It gives a really good opportunity to undergraduate writers. If you’re an emerging, undergraduate, reasonably unpublished writer, then you’ll know what I’m talking about. It’s not an easy position to be in, it’s hard to get attention to your work, and getting paid or published is rare. That’s why the large stack of cash ($5000!) and publication with Penguin given for this prize is also a pretty big deal.

This morning, the short list for the Monash Prize was announced, and I’m absolutely thrilled to see three close friends of mine on there, representin’ for RMIT, our course, and their BRILLIANT amounts of talent. Overall, I’m really glad to see the list stretches across so many different universities, and contains an almost equal spread of men and ladies. Given these submissions were read blind, it’s really nice to see such an even playing field.

Well done to all the shortlisted writers. I’m looking forward to seeing the prize awarded at the EWF event, Stories that Matter.

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