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Sam van Zweden

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Writing Practice

Bowen Street Blues

I have trouble stilling my mind in order to take in what’s around me, but after a few minutes I manage to push myself back and just be in this space.

I am tucked into the stairwell of building 9, which leads onto Bowen Street and looks onto the basketball courts. Of those boys and men I have joked that they are “majoring in basketball”, but I haven’t ever watched them properly. It seems like a strange kind of suspension out there where nobody is anybody; everyone just plays ball. They aren’t black kids or white kids, or engineering students or sound engineers, or guys in branded clothing or those who aren’t. One guy falls down and another offers a hand to help him up before laughing and lunging for the ball. The basketball courts might be in RMIT, but in a way they aren’t here at all.

These courts and the basketball majors are the only constant in this part of Bowen Street, and I feel a bit connected to them when I force myself still and silent for this exercise.

Everything else moves – people on the way to classes with half-read photocopies in hand, a girl stands next to me and her pocket explodes in sound – she yells something into her phone and hands up without waiting for an answer. A parade of AV students wheel carts of expensive gear across cobbled stones.

Every third person is on their phone. all trying desperately to connect in this hurried place, ignoring those around them. Only the basketball players seem to have got it.

Some Solid Advice

I’m a fan of Cate Kennedy. She’s a great writer, a wonderful editor (hey, Christmas is coming up! “The Best Australian…”? Anyone?), and I especially enjoy reading her columns and journal articles.

Having read some of her work before, I know that Cate Kennedy is a major proponent of turning the damn internet off when you’re working. She tells some harsh truths, she honestly gets to the crux of the problem, whether it’s time-wasting, or lying to yourself about what your work really is or wants to be…

Yesterday on The Inc. Blot (the Black Inc blog), Cate wrote her top ten tips for writers. Usually these lists are pretty gimmicky, or they take the piss. Mark Twain’s advice, “Use good grammar” and a very helpful BBC article telling me to “Get an agent!” are two such articles.

Cate’s list, however, is true to her usual form. She cuts through the crap, and gives real advice which talks to the real problems most writers face. Thinking about fame when what you need to do first is find somewhere to sit and write. Mucking around on Youtube. Self-editing before anything even reaches that page. Most importantly, just get the job done. Cate gives advice that helps you do that.

So head on over to The Inc. Blot and give her article a read.

Ricochet

Have you heard about Ricochet Mag?

It’s a new literary journal, which publishes emerging writers. Their first issue went live today, and it contains my poem, “The Tick-Tock Polka”. Go check it out, there’s some great work in there. And keep an eye on their blog, they post all sorts of helpful things about getting published and deadline reminders and whatnot.

My Face Hurts From Smiling

I could not smile any wider if I had instruments to help me do it.

In the last week, I have recieved two (yes, TWO!) acceptance letters from publications I love and respect. I’m not sure if it’s OK to publicize who they are before they’re released, so let’s just say that I’m in, I’ll be published, I’ll be pimping the hell out of these journals when they’re released, both to come out in the next few months.

It’s a funny experience – I’ve just had a moment where I went “Oh shit! People will be reading my writing!” Real people, with critical minds. That makes me a bit nervous…

I also now have this itch to write, follow it up, follow it up! Publication is not an end-point, it’s just the beginning.

Friday Flash: Mr Hughes

Mr Hughes sits dead in his chair, a glass of whisky in his hand, while a low crackle spews from the wireless.
Sasha has been laying at his feet since he died, at 5.54 this morning. It is now near lunch time.
Mr Hughes had decided to die, and so he did. His beloved wife had departed a week earlier, and Mr Hughes set his mind to giving up.
For a week as he shuffled toward death, he put his affairs in order. There weren’t many affairs to be ordered, but he left his estate to his dog Sasha, and left her in the care of the state, with the condition that she remained in the house until she died.
He had some trouble, did Mr Hughes. He thought of all the ways a man can die, but none of them took his fancy. They were too messy, or too expensive, or too illegal.
And so last night he sat down with Sasha, poured himself a whisky, and concentrated on the white noise the wireless had to offer. He sat as still as a statue, and stared out his window.
The rose garden stared back at him from the dew-touched morning lawn. How his wife had adored and tended to those roses! Her hands were bitten by thorns and calloused from secateurs, but the flowers nodded at Mr Hughes then as if in apology for his loss. In the week that Mrs Hughes had been gone, weeds had already started to take over the rose beds. Every time Mr Hughes looked at his wife’s secateurs he felt wrong to fix the situation.
Now he resembles a frozen tree, bluish and brittle, haunting yet beautiful. All Sasha can do is wait for someone to come and knock on the door to find her master’s body.

Hit Me

Hit Me

Tom sits heavy at the table, so heavy that his bum muscles start going numb.

“Hit me,” he says.

Perfectly tuned machines ping around him, he cannot see outside, and pretty soon his arse will lose feeling altogether. Tom sits even heavier.

He says, “Hit me.”

A clock flies across the room, “YOU HAVE ANY IDEA WHAT FUCKING TIME IT IS,” Anna screams, and Tom quickly shuts the door behind him, falling on unsteady feet toward his wife.

He sees his kids sitting in their pyjamas at the kitchen table. Their faces are filled with sleep and they both hold teddy bears.

“Oh, hey guys!” The kids don’t smile. One of them starts crying.

Anna’s picking up her car keys, saying “I’ve had enough of this, Tom. I’m done with this shit.”

She’s picking up already-packed bags and moving towards the door, telling the kids to follow her. Tom steps into the doorway ahead of Anna.

“Put the bags down, sweetness,” to Anna.
“Go back to bed, guys” to the kids, with a confident smile. They stay where they are.
“You’re not going fuckin’ anywhere,” to Anna.

She looks into his eyes with a hard expression, none of the softness she had when Tom married her. The clock’s still ticking, but the second hand’s shuddering in the one place, like time stands still.

“I was out with the boys,” Tom tells his wife, “Time got away from us. No matter. Let’s go to bed, my love.”

Anna shakes her head, glances quickly towards the kids.

“I told you to choose, Tom. We’ll lose the house. There’s no savings. It’s all gone! I can’t stick around for this.”

She moves toward the door again but Tom grabs her by the arm, hard.

“And take my fuckin’ children, woman? No no,” he shoves her back against the fridge, his hands around her throat before he realises what he’s doing.

As Anna’s whole body strains against Tom’s strength, he comes to himself and lets go. He falls back across the room, hits the wall, and slides to the floor. There are tears.

“You piece of shit,” chokes Anna, grabbing their children by the wrists and pulling them behind her to the door.

“Hit me,” begs Tom, “I’m done. I’m sorry. I won’t go back, just don’t leave. You can’t leave! Go on, hit me!”

She’s out the door, and Tom moves after her. The car engine starts, and Tom watches the headlights grow smaller into the night, away from the house.

He screams into the night.

“HIT ME!”

He can’t go home. There’s nothing there, just piles of microwave food baked onto plates from three weeks ago, and bills shoved under the door, spilling across the kitchen floor. There’s no dial tone anymore, and even if there was he wouldn’t know where to call. They’ve disappeared. Pretty soon the house will go too.

“Eighteen,” says the dealer.

Tom nods slowly.

“Hit me.”

“Twenty-five,” says the dealer, scooping up the cards, “Bust.”

“Hit me,” says Tom.

The dealer just stares.

Tom says, “Hit me.”

This piece appeared in Ex Calamus ezine, issue number seven, which can be downloaded here. Support local emerging writers, read Ex Calamus!

Old people, dead birds, relationship breakdowns

It’s a gripping title, no?

I’ve been meaning to post about recurring themes and imagery in my writing, and to find out if this happens to other people. Will I grow out of it? Do I actually want to grow out of it?

I go through phases where the same imagery pops up in my writing, whether I like it or not. And they continue to resurface.

I’ve gone through a phase with disjointed and severed limbs. One with dead birds. Right now I’m going through a thing with old people. Usually there’s a relationship breakdown involved, or cyclical and unstoppable time. Perhaps it’s the way all these things can be connected to decay, and appropriate to use with breakdowns and time.

I’m torn between whether this makes my writing same-ish, or if it’s giving me the opportunity to really explore the possibilities of imagery. I’m leaning towards the latter. I never use the same image in the same way. It’ll get recycled, but it a new direction…

Does this happen to anyone else?

Together Again

They had 47 years together
before Grandpa got swept away
on a tide of cold sweats and
shaking limbs.

They planted a sack of rattling bones in the ground.
The test tubes and charts left behind
had nothing to do with what we remembered
Grandpa to be.

We cleared all that away,
all the empty pill bottles
the special oxygen mask next to their bed –
we kept the Grandpa from before.

Grandma smiled sadly,
standing in his cardigan at the cemetery –
her feet pointed toward Grandpa’s grave
as she stared into the hills.

“He’s at peace now,” she said.
But all I could think of was
that bag of bones under six feet of clay,
the earth pushing down on him.
But not the “him” that I remember.

She wore the cardigan for ten days,
and when she wore her own clothes again,
they were just
…black.

She seems less now,
shrinking into whatever black she wears today
and I wonder if she still sets his place,
or turns down his side of the bed.

I wonder how it is that they’ll
find one another in the dark,
together again in the family grave,
when the dirt is just so heavy.

This piece appeared in Ex Calamus’ sixth edition, themed “Reunion”. You can download it here.

The Importance of Creative Peers, Again

A few weeks ago I posted about creative people’s hierarchy of needs. The one that resonates most with me is “the need for creative peers”.

The last week has really solidified that for me.

Currently in the last week of semester, which is followed by two or three weeks of things-still-due, my fellow course-mates have been working furiously on a final writing folio for one subject. Mine isn’t due until next Tuesday, so I’m still breathing easily, but some others were not. I received a 5am email begging for help to cut 500 words from a 2,500 word story. I did my best.

All throughout the week coming up to this, I’d also received copies of many other people’s stories for feedback.

My boyfriend laughed at me. I didn’t mind though. Because I know that when I get up to 24-hours before the due date and stress out about my idea being no good, and can’t see the typos for the words, and have to either make up or cut out 500 words – well then I know my creative peers will be there, inboxes wide open, ready to help.

And even when it’s not about editing, I can’t stress how grateful I am to have all these creative people around me. There’s a group of slam poets waiting to hear my latest lyrical bonanza. There’s a publication group waiting for me to send in some work to help make it great. There’s a TV show waiting for my reviews and interviews. And there’s you, dear reader, waiting with bated breath for my next post.

All these people just make it so much easier to produce. I’m thankful for you all.

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