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Sam van Zweden

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getting published

Collaborative Comic Fun

About 6 months ago, I received an email from a friend telling me about a project in which writers were being asked to collaborate with a comic artist, Tohm Curtis, to help with a deliberate practice mission.

I’ve posted about deliberate practice before, and it’s something I really believe works. A great quote I picked up last week from Ron Pretty’s book “Creating Poetry”, was that “writers are made, not born”. You need to dedicate yourself to it, to set perimeters for productivity, and even when things aren’t so productive, you need to stick at it. Because we’re not just graced by genius, and anyone who says we are, is lying.

For Tohm’s project, those perimeters were that the writer had to write a script for Tohm to draw off, and that script could only contain twelve cells. Twelve moments to tell a story.

It was quite a challenge: I was writing for a medium I’d never had anything to do with, attempting at using black humour which seems to work in comics, and is something I’ve never attempted before, and translate things I would usually get verbose about into a visual space. For Tohm, this helped to get him drawing, and for me it stretched my comfort zone. I’ve had a heap of fun working on this, navigating new territory, and the other contributors’ comics that have appeared on the Twelve Moments blog have been fantastic.

The comic, “Arachnophobia“, is now up. Navigation is a little confusing, but there’s a “Page X of 4” link under each drawing.

Tohm’s done an amazing job here, I look forward to his future posts. He’s also been kind enough to talk to me about deliberate practice and what that involves for him, how the project’s panning out etc – check back for that interview on Wednesday!

Voiceworks Launch!

It’s come around so quickly! Tomorrow night (23rd September), Voiceworks is launching issue #82, “Hunger”.

It’s at Bertha Brown, from 6pm. Head on down!

Featuring work from Sophie Clark, Dom Amarena, Krystin Low, Peter Dawncy, Trish Griffiths, Katherine Pollock, Eli Glasman, L. Phillip Lucas, Samuel Williams, Sam van Zweden, Amber Beilharz, Jack Madin, Anna Westbrook, Erin Lockington, Emily Dacy-Cole, Adam Carr, Jessica Seymour, Aaron Benson, Jenna Sten, Marco Antonio Ruiz, Suzannah Marshall Macbeth, Kavita Bedford, Vince Chadwick, Jessica McCausland and Tammy Law.

That’s right, that’s my name right in the middle there. So come on down, grab a copy, have a chat and a drink, and celebrate my first piece in PRINT! Real pages. With my words on them. Real pages that you can turn with your actual hands. NUTS!

Hope to see you there.

Look UP!

Overload Poetry Festival is here for its ninth year, and they’ve got a stellar program.

As part of the program, Overload are broadcasting micropoetry on the ticket text at Federation Square. Two of my pieces have been accepted. This poetry display will be running from the 10th-19th of September.

So if you’re going through the city and you pass Fed Square – look UP!

Ricochet

Have you heard about Ricochet Mag?

It’s a new literary journal, which publishes emerging writers. Their first issue went live today, and it contains my poem, “The Tick-Tock Polka”. Go check it out, there’s some great work in there. And keep an eye on their blog, they post all sorts of helpful things about getting published and deadline reminders and whatnot.

Paying Off

One thing I’ve found essential in this writing game – a thick skin.

I’ve been submitting my work to magazines and journals for about a year now, and it’s a really bizarre process. Most times, you email off your submission and you don’t know whether they’ve received it or not, then you sit on your hands for the allotted amount of time before assuming you’re safe to send the piece off somewhere else.

Occasionally I’ll receive a “Thanks for your submission – we’ll get back to you shortly,” and when I do my heart bursts with joy at some (any!) sort of acknowledgement.

Only recently have I got entirely practical and a little bit anal about this thing, and made a spreadsheet which details which piece went where, when, and when I should hear expect to hear back from them – and then the contact details of who I plan to contact if I don’t hear back. That was one thing that became really clear to me throughout the EWF – if you don’t hear from an editor within the timeframe they give you (most submissions guidelines will tell you how long you can expect to wait), it’s absolutely okay to contact them to check what’s happened to your submission. Editors are people too. They get busy. They lose stuff. They experience technical cock-ups.

The last year has been a long haul of ‘submit/wait/submit somewhere else/wait again/maybe get an actual “no”/cry for a bit/submit somewhere else/wait … ” (ad infinitum). But after all this, I think I’ve finally gotten somewhere, folks!

Yesterday I received not one, but TWO emails that made my heart sing. One said, ‘yes, yes actually we would love to publish your piece!’… the other said they thought my piece had potential, made some suggestions for re-working, and encouraged me to re-submit it.

I won’t name names of publications here, because I have a feeling that’s not entirely kosher. Let me give you all a bit of a spoiler about your first acceptance letters though – they are ABSOLUTELY the opposite of rejection letters.

The rejection letters I’ve received thus far go something like: “Dear Sam, Thanks for your submission to ____. Due to the volume and quality of submissions we have received, and limited space in the publication, the editorial process has been difficult. We are sorry to inform you that we will not be including your piece in our next issue, however we encourage you to submit more work in the future. Regards, Editor.”

They’re so vague and soul-crushing. “BUT WHY!?” I’m screaming at my computer, “WHY!? What was wrong with the piece?”

Acceptance letters though? Nice. Lovely! None of this vagueness. They say yes, then they tell you exactly why they think you’re awesome. I kid you not. It’s such a just payoff for all the soul-crushing the last year has brought. Finally, finally, finally, I got something past an editor!

So keep your eyes peeled, kids, I’ll keep you updated as to WHERE my work will be appearing closer to publication date.

And maintain a thick skin. It’ll happen.

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